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1. #5d mark iii vs 6d mark ii 1080p
2. #5d mark iii vs 6d mark ii upgrade
3. #5d mark iii vs 6d mark ii pro
4. #5d mark iii vs 6d mark ii iso

In practice, the minor difference isn’t significant, but it is worth noting. Overall, while it lacks the size, it makes up for that with fantastic functionality and better versatility.īoth cameras feature optical viewfinders, but the Mark 3 provides a 100% viewfinder, while the Mark 2 oddly only has 98%. However, the Mark 2 provides a fully articulating touchscreen display, which offers far superior flexibility when shooting in awkward positions and assists in navigating the camera’s menus. While both cameras feature rear TFT LCD screens with a resolution of 1.04M dots, the Mark 3 offers a slightly larger 3.2-inch display, compared to only 3.0-inches on the Mark 2. Outside of this, the cameras are identical. The Mark 3 also provides an AF joystick, for immediate and responsive AF point selection, a feature missing on the Mark 2. In this case, the Mark 3 provides an additional custom user setting, C3, while the Mark 2 only offers two, C1-C2. The main difference in their controls comes in the form of added customization and the presence of an AF joystick. The ultimate module for consumers who film with dslrs.Both cameras offer virtually identical physical controls and functionality, though their button positioning differs slightly.

#5d mark iii vs 6d mark ii upgrade

upgrade the bodies as things improve and get cheaper.but the codec + computer stays as is or can improve and upgrade too.

#5d mark iii vs 6d mark ii 1080p

So now everyone can just buy any dslr they may want at their affordability level.then that module and voila.everyone gets to record high quality 1080p out of their cameras. In it.you place a computer capable of properly downsampling to 1080 whatever the megapixels of the camera its attached to, at different framerates, with its own heatsink.then save it as prores. Here's an idea, create a module shaped like a battery grip which you can insert with any dslr FF or apsc, interface thru USB and take over the camera's computer during video caprture.

Sensors and all other stuff are already amazing, ( as evidenced by the stills they can produce).its just up to their internal processors and codec. So I'm guessing what camera manufacturers should be investing in is loading up much much more powerful computers inside their dslrs that can take up the live processing of 24 megapixels to 1080p. With modern sensors from Sony (24 mpix apsc/24mpix FF) and the others.shouldnt we be having extra detailed, hi res, high DR, and very clean, 1080ps with them but were not.from any brand.

#5d mark iii vs 6d mark ii iso

With the recent AMAZING demos of the power of the RED Dragon sensor (20+ DR, Native 2000 ISO etc).all with a 24 megapizel Super35 sensor.I can't understand the excuse of DSLR companies having less tha stellar resolution of HD than the RED is capable of when you downscale 6K to 4K then 4K to 1080p.I mean.should'nt 1080p benefit for the oversampled pixels of photo cameras (16-24 at the moment).and these problems of moire and resolution shouldnt even come up. While the Nikon D800 will resolve more detail and has clean HDMI, and the Mark III won't have any noticeable aliasing/moire (and is getting clean HDMI), the 6D is right up there with the best low-light performers Canon has ever made - at least a stop better than the Mark III thanks to the lower pixel count. I haven't had the chance to shoot with it yet, but if I was just getting started and looking at a full-frame DSLR, unless you've got another $1,000 or so to spend, the 6D looks like a great option. I still like full-frame a lot, even if shooting with an APS-C sensor is much easier on focus, and while shooting with a DSLR can sometimes be a major pain, I think the 30 minute record time combined with the higher resolution HDMI output during recording is a huge benefit to the 6D (since you're stuck with about 20 minutes per clip on the 7D - not to mention that camera is prone to overheating).

#5d mark iii vs 6d mark ii pro

imported as DSLR footage to Premiere Pro CS5.5, exported to H.264 1080 24P, 7Mbps. No color grading was done in any clips in this video.